The leg-of-mutton shape of ancient Norwich is defined by the city walls and by the River Wensum that runs across the city, providing a natural barrier on its eastern flank. To walk along the river is to retrace the fortunes of the city’s industrial past. I did this in two unequal stages, the first from New Mills to St James’ Mill.
I started at the head of navigation by turning into New Mills Yard off Westwick Street. The water gauge in the colour photograph shows how the tidal waters have inundated the city over the years.
The current building, erected 1897, straddles the river between the tidal waters to the east and the river to the west where the level is maintained by sluice gates.
During the Industrial Revolution the Norwich textile industry was outpaced by mills in the North of England that had better access to coal and fast-flowing water for running the new steam-powered looms. However, there was a sufficient head of water at New Mills to drive the compressed air system from 1897 to 1972, pumping sewage down to Trowse [1,2]; it also powered machinery in the Norwich Technical Institute (now Norwich University of the Arts) a few hundred yards downstream.
This pneumatic excursion replaced the original New Mills, built in 1710 for grinding corn and supplying the city with water. In turn, New Mills had replaced an older mill of 1410 .
Continuing clockwise on the north bank of the river the next bridge, decorated with the City of Norwich coat of arms and dated 1804, is St Miles’ or Coslany Bridge . It is the city’s first iron bridge built 25 years after the world’s first major iron bridge at Ironbridge, Shropshire.
St Miles Bridge in the 1912 flood …
Standing on St Miles’ Bridge connects you with three of the industries that formerly sustained this city (while polluting its river). First, on the north bank, the present-day public housing in Barnard’s Yard is named for the Norfolk Iron Works of Barnard Bishop and Barnards [see 3 for a fuller story]. On the south side is Anchor Quay, now private housing, but once the home of Bullard and Sons’ Brewery that supplied the city’s countless drinkers (‘one pub for every day of the year‘) [see 4].
And third, the rose madder colour of the Anchor Quay development is a reminder of the dyeing industry that grew, hand in glove, with the city’s textile industry. The Maddermarket – where dye from dried madder roots was sold – was just a few hundred yards to the south (see  for a fascinating article on making madder dye).
Continuing along the north side of the river we can see across to the site of the old Duke’s Palace Ironworks off Duke Street, which was replaced in 1892 by the Norwich Electric Light Company whose buildings were designed by Edward Boardman and his son Edward Thomas Boardman. At one time, the river would have provided water for the steam engines but after the Thorpe Power Station was opened in 1920s the Duke Street site was used for offices and storage .
Sandwiched between the former brewery and the five-storeyed offices of the Norwich Corporation Electricity Department is a smaller building owned by the electricity board. In 2006, as part of the Eastinternational exhibition, artist Rory Macbeth used this as a canvas on which to paint the entire 40,000 words of Thomas More’s Utopia . Due to be demolished in 2007, the structure still stands.
In 2006, another exhibition played imaginatively with the derelict riverside buildings. In the windows of the adjacent, curved office building a group of artists hung dyed fabric whose reflections once again ‘made the river run red’ . The reason for the red river comes a little downstream, for the story follows the course of the river.
This stretch of the river forms the river frontage of what was once the Duke of Norfolk’s palace.
The Dukes of Norfolk built two palaces on the site, in 1561 and 1672, but proximity to the river caused problems. According to Thomas Baskerville in 1681:
“In this passage where the city encloses both sides of the river, we roved under five or six bridges, and then landed at the Duke of Norfolk’s Palace, a sumptuous new-built house not yet finished within but seated in a dung-hole place, though it has cost the Duke already 30 thousand pounds in building, as the gentleman as shewed it told us, for it hath but little room for gardens, and is pent up on all sides both on this and the other side of the river, with tradesmen’s and dyers’ houses, who foul the water by their constant washing and cleaning their cloth, whereas had it been built adjoining to the afor said garden it had stood in a delicate place.” (Quoted in ).
Proximity to the water meant that the cellars were always wet, which affected the foundations . The fate of the palace was sealed when the Mayor of Norwich, Thomas Havers, refused the duke permission to process into the city with his Company of Comedians: in 1711 the duke ordered the palace be pulled down [9, 10]. When the duke vacated his palace there was no road through his estate and across the Wensum as there is today. The present – but not the first – bridge to bisect the ducal waterfront was built when Duke Street was widened in 1972 to take traffic out of the city onto the inner ring road .
This utilitarian bridge of 1972 replaced the first and much more elegant cast-iron bridge of 1822, which would be lost were it not for the Norwich Society who bought and stored the bridge until it could be re-used at the entrance to the Castle Mall car park .
Near the original site of this bridge we come to the dyeworks run by Michael Stark in the early C19, drawn below by his son James – the Norwich School artist. Stark Senior developed a way of staining the silk warp the exact same shade of red as the wool or worsted weft. This involved madder, a tin mordant and the fortuitously chalky waters of the Wensum, yielding a deep, true scarlet . It seems safe to assume that it was the emptying of Stark’s dye vats that made the river run red.
I managed to preview the next bridge by walking along a gangway on a building at the rear of the Duke Street Car Park. St George’s/Blackfriars’ Bridge was built of Portland stone by Sir John Soane (1783-4) before he became Surveyor of the Bank of England .
There is, however, no direct route for the riverside walker who must take a detour left down Duke Street, right along Colegate then right again onto St George’s Street before meeting the bridge. This diversion takes you past Howlett and White’s Norvic shoe factory built by Edward Boardman in 1876 and 1895. Around the end of the C19 it was the largest shoe factory in the country, employing a fraction of the outworkers employed in the textile trade a century before .
St George’s Bridge from the south bank …
I continued via the north bank to Fye Bridge, its name perhaps derived from ‘fye‘, to clean the river . The first recorded bridge-proper dates from 1153 but excavations in 1896 indicate this was predated by a wooden walkway that connected the south side to the Anglo-Scandinavian settlement in Norwich-over-the-Water . The present bridge, whose double arches are based on downstream Bishop Bridge, was built in 1933. Just before the bridge is the residential development of Friars Quay, built on Jewson’s Victorian timber yard . This 1970s housing has assimilated well despite Pevsner and Wilson’s deathless judgement, “It falls only just short of being memorable” .
Crossing Fye Bridge then looking back from Quayside on the south bank this photograph shows the reconstruction of the bridge in 1931. Allen & Page animal feed mill (now houses) can be seen on the left and ‘Jewson’ marks their timber yard beyond the bridge.Quayside today …
Continuing eastward on the south bank: There was a wooden bridge at Whitefriars as far back as 1106 but what was known as St Martin’s Bridge was destroyed by the Earl of Warwick when he tried to deny Kett’s rebels access to the city in 1549. In 1591 this was replaced by a stone bridge that limped on until the City Engineer constructed the present Whitefriars Bridge (1924/5) .
Adjacent to the bridge is St James Mill, built by the Norwich Yarn Company (1836-9) in an attempt to revive the city’s textile industry. Ian Nairn – the acerbic architectural commentator – thought this ‘the noblest of all English Industrial Revolution Mills’ . Until a few years ago the mill housed Jarrold’s Printing Works; the John Jarrold Printing Museum is in an adjacent building.
Willett & Nephew had 50 power looms on the third floor of the mill and are believed to have produced the shawl below. Members of the Yarn Company could now produce the famous ‘Norwich Red’ shawls on their power looms but, by the time the Company had begun production in 1839, factories in Yorkshire and Paisley were already mass-producing shawls in large factories, contributing to the market’s slow decline.
© 2018 Reggie Unthank
- Pevsner, Nikolaus and Wilson, Bill (1962). The Buildings of England. Norfolk 1: Norwich and North-East. Pub: Yale University Press.
- Meeres, Frank. (2011). The Story of Norwich. Pub: Phillimore & Co.
- http://www.georgeplunkett.co.uk/Norwich/riverbridges.htm and for the reconstruction of this bridge see http://www.georgeplunkett.co.uk/Norwich/fyebridgerebuilding.htm
Thanks: to Joy Evitt and Jenny Daniels for background on Norwich shawls; to Clare Everitt for permission to use the Picture Norfolk images; to Paris Agar of Norwich Castle Museum for access to the maps; and to the Plunkett archive for their images.