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While reading about Parson Woodforde’s shopping expeditions to Norwich around 1800 [1] I was struck by the modest scale of the places he visited in the streets around the marketplace. This was still the age of the small shop run by – and generally occupied by – the shopkeeper and family, some of whom were the parson’s personal friends. The market itself offered everyday provisions: meat and fish, fruit and veg but a few yards away, separated from the everyday hurly burly of the market stalls, the genteel could stroll along the newly-paved Gentleman’s Walk and window-shop for luxury goods. Shopping had become fashionable in its own right. Displays would be seen through windows made of multiple, small panes cut from sheets of hand-blown glass. None of those shops survive in the city. Instead there are signs of the large Victorian shops and department stores that replaced them, with their huge plate glass windows.

Chamberlins. From A Comprehensive History of Norwich 1869 [2]. The store is situated on Guildhall Hill, opposite the medieval Guildhall. Dove Street can be seen to the right.


One of the largest Victorian stores around the marketplace was Chamberlins at the junction of Guildhall Hill and Dove Street. At a time when Norwich had 124 small businesses listed as ‘drapers’ [3], Chamberlins the Drapers was on a different scale, selling a wide range of soft furnishings in several departments that ran the entire length of Dove Street. Chamberlins’ also had a furnishing department that stocked ‘one of the largest assortments of carpets, linoleum, floor cloths and furniture to be sold in the Eastern Counties.’ Now, instead of window shopping in the cold and wet, the citizens of Norwich could browse in the warm and take refreshments without leaving the premises.

Another special feature of this superb establishment is the refreshment room, which is a spacious room fitted up and furnished in the most luxurious manner, and in the best possible taste. It has a buffet, well supplied by the articles in request by ladies, and the proprietors disclaim any intention of making a profit on the refreshments here supplied, the department having been provided for the convenience of the country customers, many of whom come long distances, and who fully appreciate the consideration shown for their comfort.”[3]

Chamberlins was sold to Marshall & Snelgrove in the 1950s and the corner of the site is now occupied by a Tesco Metro (due to be relocated in 2022).

Chamberlins (left) decorated for King George V’s Silver Jubilee in 1935 (©georgeplunkett.co.uk). Note the siting of the war memorial against the east wall of the Guildhall before being removed to its present location opposite the City Hall of 1939. (Right): Today, the building is occupied by a Tesco Metro (©Keith Evans Creative Commons BY-SA 2.0)

According to Mason’s Directory of 1852, Chamberlin (Henry) Sons & Co were ‘Wholesale and Retail Drapers, Market-Place’ [4]. Henry Chamberlin founded the business in 1815. His descendants became members of the local establishment: Mayor, Sheriff and Deputy-Lieutenant of Norfolk. Some idea of the extent of their enterprise can be judged from the centre spread of this 1910 trade book [5].

Top left: Chamberlins occupied much of the block from Pottergate (rear) to Guildhall Hill, including one side of Dove Street. Top right: their factory in Botolph Street. Lower: two of their trading floors [5].

Chamberlins’ store was a product of the Victorian era but its factory in Botolph Street represented an excursion into modernism. Built in 1903 by AF Scott, it was described by Pevsner as the most interesting factory building in Norwich and of European importance [6]. Scott was to go on to design a department store using modern building techniques for Buntings (now M&S) in 1912 – its steel frame disguised behind a traditional exterior [7]. A vestigial Botolph Street lives on in the wasteland of Anglia Square but Chamberlins’ factory was demolished to make way for the blighted Brutalist HMSO building, Sovereign House.

Built for Chamberlins’ in 1903, the factory at 30-34 Botolph Street was purchased by Roberts the printers in 1949 before being demolished as part of the Anglia Square development. ©georgeplunkett.co.uk

The factory, which housed 800-1000 workers, was illuminated by electric lighting, proudly powered by a dynamo supplied by the Norwich firm, Laurence, Scott & Co [8]. Here, Chamberlins made a variety of clothing for the police and railways but during World War I, when they turned to war production, their entire output of waterproof clothing was requisitioned by the Admiralty [8].

The Sewing Machine Floor at the Botolph Street Clothing Works. ©Norfolk Industrial Archaeology Society and Philip Tolley

In 1898, Chamberlins was devastated by a fire that started in the premises of Hurn’s, ‘the oldest rope, twine, sack and rotproof cover manufacturer in the Eastern Counties’ – established 1812 [8]. The entire Dove Street side of Chamberlins and part of its opposite side were destroyed along with their neighbour, the Norwich Public Library, set back on Guildhall Hill.

Guildhall Hill Subscription Library [4368] 1955-08-24.jpg
The Norwich Public Library seen in 1955 by ©georgeplunkett.co.uk. In recent memory The Library restaurant.

Hurn’s rope-making factory, with its 200-yard-long ropewalk, was in Armes Street in the suburb of Heigham but the shop where the fire started was in Dove Street at the corner with Pottergate, or so it appears from a photograph in [8].

Inside Hurn’s premises on Dove Street ca. 1904. ©Norfolk Industrial Archaeology Society

After acquiring sites nearby, Hurns built new premises on Dove Street.

Hurns new premises, built in Dove Street after the 1898 fire, were decorated with Cosseyware brickwork from Guntons of Costessey [8].

As a result of this disaster, water hydrants and hose reels were installed at the end of each floor of Chamberlins new building. Their ‘Ladies’ Fire Brigade’ is seen here during the First World War.

©Norfolk County Council at Picture Norfolk


In 1860, Arthur Bunting set up a drapery in partnership with three Curl brothers at the corner of St Stephens Street and Rampant Horse Street, where Marks and Spencer stands today. The collaboration did not, however, last the year and the Curls set up on the opposite side of Rampant Horse Street approximately (and we’ll come to ‘approximately’) where Debenhams is located.

Buntings in 1909, in the age of the electric tram. St Stephens Street to the left, Rampant Horse Street to the right. © Norfolk County Council at Picture Norfolk

As drapers, Buntings sold costumes, lace, millinery, costumes, mantles (sleeveless cloaks worn over outer garments), collars, yokes, frills, ruffles. Like Chamberlins, they had a furnishing department and a tea room. They also boasted ‘what the Americans call the mail order business … (with) the aid of well-got-up catalogues.’ Despite their motto of ‘Latest, Cheapest, Best’ [5], Buntings weren’t positioning themselves at the pile-’em-high end of the market for they had a Liberty Room in which the achingly fashionable Arts and Crafts of Regent Street were offered to a provincial public.

London’s Regent Street in Norwich. A corner of Buntings’ Liberty Room displaying Persian fabrics. ca1908 [5]

By 1913 all this was replaced by a modern four-storey building in reinforced concrete, designed by local architect AF Scott. The new Buntings was the self-styled ‘Store for All’ where customers were soothed by an orchestral trio from 12 to 6pm daily.

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Buntings 1935. St Stephens Street to the left, Rampant Horse Street to the right. ©Norfolk County Council at Picture Norfolk

On the night of 29th April 1942, German planes dropped incendiary bombs. Three stores on Rampant Horse Street suffered heavily: Buntings, FW Woolworth & Co next door and Curl’s opposite.

Buntings in 1942 with its neighbour Woolworths ©Norfolk County Council at Picture Norfolk

Buntings was saved from total destruction by its reinforced concrete structure. It was refurbished but without the fourth storey and the corner cupola. In 1950 it was sold to Marks and Spencer. Its neighbour, Woolworths, was beyond repair as was Curl Brothers on the opposite side of Rampant Horse Street, and both were replaced with modern buildings [10].


I’m not including FW Woolworth & Co as one of the big department stores: it just happened to get itself tangled up with the history of two Norwich stores on Rampant Horse Street. Woolworths was more a five and dime store (or, in this country, threepenny and sixpenny). I remember Woolies as a place to buy ‘weigh-out’ roast cashews and pick n mix sweets, and where a friend of mine shamefully bought a cover version of a Beatles record. Below, is the Woolworths building (Woolies 3) that replaced the store built adjacent to Buntings in 1929 (Woolies 2) – itself an extension of the original Woolworths store on the other side of the road (Woolies 1, see Curls below). After acquiring their neighbour in 2002, Marks and Spencer now occupy the entire west side of Rampant Horse Street, from St Stephens Street to St Stephens Church.

The postwar Woolworth photographed in 1986. Woolworth moved to St Stephens Street and the Rampant Horse Street branch was sold to M&S (2002). Photo: Archant Library

While the new Woolworths building on Rampant Horse Street was being built, the staff were sent to work in the Magdalen Street branch. Opened in 1934 this store was in a medieval building now occupied by Spice Valley.

Spice Valley in Magdalen Street, the site of a former branch of Woolworths.

When the three Curl brothers parted company with Arthur Bunting, and moved ‘opposite’, they were unable to take over the prestigious corner site of Rampant Horse Street and Red Lion Street. As this photograph shows, it was occupied by a neo-Gothic branch of Woolworths that opened for business in 1914 – the first of three Woolies on this street.

The original 1914 Woolworths 3d and 6d store (seen here in 1924) at the corner of Rampant Horse Street and Red Lion Street. Another store (‘EWBY’, Newby?) is to the left. ©Norfolk County Council at Picture Norfolk


By the time of King George V’s Silver Jubilee in 1935, Woolworths were no longer located in the corner building (right). Instead, they had moved in 1929 to larger premises on the opposite side of Rampant Horse Street, adjacent to Buntings. This was to be the branch of Woolies destroyed in WWII (arrowed). Saxone shoes and an insurance company now occupied the corner spot. So, could those be the awnings of Curls department store further down the street?

Looking down Rampant Horse street from Westlegate in 1935. Buntings (now M&S) is on the left-hand corner. The former Woolworths (Woolies 1) is on the right-hand corner; the arrow points to the larger branch (Woolies 2) that replaced it. ©Norfolk County Council at Picture Norfolk.

Curls had bought a range of buildings including the old Rampant Horse Hotel that had been known as far back as the C13 as The Ramping Horse [8]. We have encountered this old inn several times. William Unthank (d.1800), the forefather of the Norwich Unthanks, was a peruke (wig) maker; he also owned coaches for hire. His address was given as Nos 2 and 3 Rampant Horse Street and, since the Ipswich coach left from the inn, it might possibly have been his [11].

The site developed by the Curl brothers around the Rampant Horse Hotel. OS map 1884 courtesy of norwich-heritage.co.uk

Curls had departments for china, glassware, furniture, millinery (hats), costumes, wallpaper, dressmaking etc. The Outfits Department was in the former billiard room of the Rampant Horse Hotel. Curls employed over 500 staff, including those at their factory in Pottergate [8].

Ironically, in a city whose once pre-eminent woollen textile trade was finished off by competition from the north, Curls had a Manchester Department that sold cotton products like flannelette and shirt material. The victory of cotton over wool was won in northern power mills centred around Manchester. For centuries, Norwich woollen and silk fabrics had been produced on hand looms but by  the late eighteenth/early nineteenth century the city had been too slow to mechanise and confront the challenge. Although the lighter materials manufactured in ’Cottonopolis’ were highly popular with the public, their success was to a significant extent subsidised by the slaves who picked the cotton (imported via Liverpool) in the plantations of the West Indies and the southern states of America. 

The Rampant Horse Street facade of Curls illuminated by 11 Ediswan lamps, ‘each being of 200 candlepower.’ Shop decorated for Queen Victoria’s Diamond Jubilee, 1897. ©Norfolk Industrial Archaeology Society.

A fire insurance map* provides greater detail of the layout of the site in 1894. At this stage it is clear that Curls occupied only part of Rampant Horse Street, sharing that side of the block with Green’s the Outfitters (before they moved opposite Orford Hill), while the corner with Red Lion Street housed Colman & Co hardware shop. The Brigg Street facade, however, contains departments labelled ‘Millinery’ and ‘Fancy’ and would therefore seem to belong entirely to Curls. Surrounded by Curls is the CEYMS reading room. As part of the postwar rebuilding Brigg Street was widened and the initials of the Church of England Young Men’s Society are still to be seen on the side of the postwar building that superseded Curls.

* Charles E Goad Ltd produced detailed fire maps of most of the country and there are several sheets devoted to Norwich. At a time when high density commercial buildings and industrial processes were intermixed these maps provided important information on construction materials, water supplies/hydrants and neighbouring buildings. Every department store mentioned in this post has been been affected by fire.

Goad insurance map from 1894 when Curl Bros occupied much, but not all, of the block. The yellow line indicates Green’s the Outfitters before their move to premises between Haymarket and Orford Place. Courtesy of Thomas Barnes, Aviva. ©The British Library Board

This map just missed the great change to the east end of the store when, in 1902, the Curl brothers remodelled much of the shop and built a new extension along Orford Place [8].

Curl Brothers Limited, Orford Place frontage ca 1902. ©Norfolk Industrial Archaeology Society

All of this was to change during the Baedeker raids of 1942.

Curls on Rampant Horse Street in 1942. ©Norfolk County Council at Picture Norfolk

For several years after the war, the block that once was Curls was just a (very large) hole in the ground, used as a car park and a water cistern [12]. In a remarkable act of familial cooperation, Jarrolds department store in London Street let Curls (to whom they were related by marriage) occupy the first floor of their London/Exchange Street premises. Curls then moved into property provided by Norwich Union for burnt-out businesses where they traded as ‘Curls of Westlegate’. Here, they sold children’s and ladies fashions, millinery and drapery while their furniture department remained at Exchange Street. Curls had to wait until 1956 for all departments to be reunited in the new store that had arisen on their bomb-damaged site. This steel-framed building, which Pevsner and Wilson judged to be ‘rather too bland … for its position‘[6], was designed by Wilfred Boning Scott(1858-1981), one of AF Scott’s two sons who followed him into the business. In the 1960s the department store was sold to Debenhams but continued trading as Curls until 1973.

Curls building at the junction of Rampant Horse Street (left) and Red Lion Street (right). Designed by AF Scott & Sons for Curls, Debenhams since 1973


Richard Ellery Garland, born in Stroud, opened his own store in London Street, Norwich, in 1862 [5].

Left: Richard Ellary Garland, founder of Garland &Sons, Silk Mercers and General Drapers; right: his son Frank who became partner in 1891 [5].

At 15, Richard Garland had been an apprentice draper in the London area. His own store in Norwich was to specialise in drapery but we see from this advertisement that Garlands were also dressmakers, mantle makers and milliners who sold ‘choice furs’, ‘dainty lingerie’ and corsets.

‘The Great Blouse House’, 1910, from [5]. Little London Street (‘Back of Jarrolds’) is to the left, London Street to the right

By 1920 it had become a store with nearly 30 departments. The central bay of the London Street facade was very much as it appeared in the early 1900s but the Little London Street facade and the corner had been modernised.

London Street facade of Garlands in 1935. Their decorations for King George V’s silver jubilee had just won second prize. ©georgeplunkett.co.uk

In 1970, a chip pan fire in the kitchens spread to destroy the store, taking almost 70 firefighters three hours to get the fire under control [13]. Jarrolds pensioners can still remember being on the roof of the neighbouring Jarrolds Department Store, putting out sparks from the Garlands fire.

Garlands after the 1971 fire. The gutted building shows the modernisation that had taken place since the 1935 silver jubilee. The building just visible to the left, with C17 gabled dormers, was then owned by gents’ outfitters Dunn & Co; it is now part of Jarrolds Department Store. ©Norfolk County Council at Picture Norfolk

Garlands was rebuilt in 1973 – its ‘castle-like sheer walls’ supported by a colonnade that provided covered access to the ground floor shops. Pevsner and Wilson [6] saw it as a ‘respectable attempt to introduce a modernist element‘. Garlands closed in 1984. The following year it reopened as Habitat, which occupied the upper floor until its closure in 2011.

Garlands, 1973-1984, Habitat 1985-2011.


In 1879, Robert Herne Bond (b 1844) from Ludham in The Broads, started his business in Ber Street, Norwich, as a ‘Cash Draper’.

RH Bond [5]

He sold the now familiar stock of mantles, blouse materials, furs, ribbons etc etc, except he differentiated himself from his rivals by claiming the largest stock of millinery in the eastern counties. According to their advertisements, all the large drapers in the city focused on soft furnishings for the house and clothing for women and children. Men were catered for elsewhere, perhaps in tailor shops, of which there were 83 in 1852 [4].

RH Bond, cash draper of Ber Street Norwich [5].

According to George Plunkett, in the late C19 a Major Crow owned 2-3 cottages on All Saints Green that he restored and converted to the Thatched Assembly Rooms. In 1915 it opened as The Thatched cinema before becoming Robert Bond’s ballroom and furnishing hall. Bond now owned properties that extended from Ber Street through to All Saints Green.

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Bonds restaurant, ballroom and furnishing hall at 21 All Saints’ Green, photographed in 1935. ©georgeplunkett.co.uk
Air raid precautions, September 1939. ©georgeplunkett.co.uk

Bonds was bombed in June 1942.

Bonds 1942. ©Norfolk County Council at Picture Norfolk

After the war, Robert Bond’s son J Owen Bond, who had worked with George Skipper, designed a new store for his father. In 1982 it began trading as part of the John Lewis Partnership.

Bonds of Norwich rebuilt (1946) in Streamline Moderne style by Robert Bond’s third son J Owen


London Street, which was originally known as Cockey Lane and London Lane, was a narrow medieval thoroughfare where pedestrians had to duck into doorways to avoid being crushed by carts [14]. There had been talk about widening it since at least the late C18 but this only happened in a piecemeal fashion: first in the mid C19 when the arrival of the railway created demand for better access to the market from Thorpe Station, then with Edward Boardman’s scheme of 1876 at the Gentleman’s Walk end [6]. By the time London Street had become the first pedestrianized street in the country (1967), Jarrolds – on the opposite side of the street – was the only original business remaining [6].

Jarrold & Sons c1890. Exchange Street to the left, London Street to the right. Courtesy of Caroline Jarrold.

Jarrolds began life in 1770, in Woodbridge, Suffolk where 25-year-old John Jarrold opened up as a ‘Grocer, Linnen and Woollen-Draper’ in the marketplace [15]. In 1823 his son, also John Jarrold, came to Norwich. He announced in the Norwich Mercury that he and his eldest son John James were open for business in the city as ‘Printers, Booksellers, Binders and Stationers.’ This was on the Gentlemans Walk side of London Street, which was known at that time as Cockey Lane, after the cockey or stream that ran beneath the street. In 1840, John Jarrold and his four sons moved across the street to the present location. The illustration above shows that publishing and selling books remained their main business at the end of the century, detached from the fierce competition between the other large stores who focussed on drapery and millinery etc.

In 1896 the celebrated Norwich architect George Skipper was employing around 50 staff. His offices in Opie Street were now too small so he moved to 7 London Street where he became a neighbour to Jarrold & Sons. In 1903-5, Skipper remodelled the store and some of the changes to the London Street facade can be seen below.

Jarrolds’ corner after the first phase of George Skipper’s remodelling (c1909). The Ionic columns on the second floor (arrowed) and the semicircular window heads (outlined) show that Skipper had worked on the London Street side, but not yet on Exchange Street. Courtesy of Caroline Jarrold

Inside the new-look Jarrolds, circa 1907.

Note the sign: Electric lift to Library and new select Reading Room. Courtesy of Caroline Jarrold
Father Christmas comes to Jarrolds. A sign in the London Street window advertises a new book, The Woman of Knockaloe, which was published in 1923. Courtesy Caroline Jarrold.

Jarrolds today, in the free Neo-Classical style designed by George Skipper.

Skipper’s own offices, faced in carved red brick (Cosseyware), can be seen to the right and are now part of Jarrolds store. To the immediate left of the entrance canopy we see the 1920s continuation of Skipper’s remodelling. To the very far left is the extension of 1964. To the right are three gables of a late medieval building that became part of Jarrolds in 2004.

The semicircular bay above the main entrance anchors the store to the corner of the marketplace. The facade has been compared to a tiered wedding cake but is not topped off as Skipper had imagined. The architect had proposed a signature copper cupola [16] but in this case the clients refused to indulge him.

Skipper’s plan for Jarrolds. Courtesy Jarrolds.

The Exchange Street facade had to wait until 1923 for Skipper to complete the modernisation he had begun in London Street. The remainder of the block, down to Bedford Street, was at that time occupied by the Corn Exchange.

1938, when the Corn Exchange (est 1861) still occupied the corner of Exchange and Bedford Streets. © georgeplunkett.co.uk

In 1964, Jarrolds increased the size of the store when they bought the Corn Exchange and rebuilt on the site.

Jarrolds’ 1960s extension on the old Corn Exchange site. Courtesy Jarrolds.

One of the most distinctive features of the Jarrolds building is the carved brickwork on Skipper’s former offices. Although architects were not allowed to advertise their practice, Skipper commissioned Guntons brickyard in Costessey to carve six fired clay panels celebrating his work. Look up next time you walk down London Street.

Upper panel: a top-hatted Skipper inspects a shield displayed by a carver. Lower: Skipper discusses plans.

Regular readers may remember a previous post in which I described the character holding up the shield for Skipper’s inspection. Having just been sent a photograph of the shy Guntons’ carver, James Minns, I suggested that the terracotta carving represented Minns himself [16].

Left: the figure holding the shield. Right: James Minns the senior carver, from a photograph c1900 from the Guntons Bros brickyard in Costessey.

The head was a reasonable likeness of James Minns but the body was awkward and the large panel less convincing than its partner: heavy 3D modelling instead of low relief. In a further post, devoted to Minns’ life and work, I raised the possibility that this could have been an effect of the ‘senile decay’ given as one of the causes of his death in 1904 [17]. In his recent book on Skipper, Richard Barnes provides a further twist [18]. He cites Faith Shaw’s 1971 dissertation in which she mentions discussing the panels with one of Skipper’s foremen who recalled how, ‘everyone in the (Skipper) office shared in the carving.’ If, as it seems, the panels weren’t installed until 1903-4 it might explain why hands other than Minns’ were at work on the Cosseyware panels.

© Reggie Unthank 2021


  1. https://colonelunthanksnorwich.com/2020/11/15/parson-woodforde-goes-to-market/
  2. A Comprehensive History of Norwich 1869. Available online at: https://www.gutenberg.org/files/44568/44568-h/44568-h.htm#page621
  3. https://www.norfolkchamber.co.uk/about/history/sectors/retail/chamberlin-sons
  4. https://www.gutenberg.org/files/62401/62401-h/62401-h.htm
  5. Citizens of No Mean City (1910). Jarrold & Sons, Norwich
  6. Nikolaus Pevsner and Bill Wilson (2002). The Buildings of England. Norfolk 1: Norwich and North-East. Pub: Yale University Press.
  7. https://colonelunthanksnorwich.com/2020/08/15/twentieth-century-norwich-buildings/
  8. Edward Burgess and Wilfred E Burgess (1904, reprinted 2014). The Men Who Have Made Norwich. Pub: Norfolk Industrial Archaeology Society.
  9. https://www.norfolkchamber.co.uk/about/history/sectors/retail/buntings
  10. https://wooliesbuildings.wordpress.com/2018/05/10/norwich-store-44/
  11. A.J.Nixseaman (1972). The Intwood Story. Private imprint.
  12. https://en.wikipedia.org/wiki/Curl_Brothers
  13. https://www.edp24.co.uk/lifestyle/why-august-1-is-a-date-of-tragedy-over-the-1574906
  14. Rosemary O’Donoghue (2014). Norwich, an Expanding City. Pub: Larks Press.
  15. Pete Goodrum (2019). Jarrold 250 Years: A History. Pub: Jarrold & Sons Ltd. Can be bought online at: https://www.jarrold.co.uk/departments/books/local-books/jarrold-250-years-a-history-by-pete-goodrum
  16. https://colonelunthanksnorwich.com/2017/02/15/the-flamboyant-mr-skipper/
  17. https://colonelunthanksnorwich.com/2020/03/15/james-minns-carver/
  18. Richard Barnes (2020). George Skipper: The Architect’s Life and Works.’ Pub: Frontier Publishing.

Thanks. I am grateful to Caroline Jarrold for providing photographs of the store. My thanks also to Rosemary Dixon of Archant and Thomas Barnes, Assistant Archivist at Aviva.