• About
  • Colonel Unthank’s Norwich #2
  • Contact
  • Latest Colonel Unthank’s Norwich Book #3
  • Posts
  • Unthank Book #1

COLONEL UNTHANK'S NORWICH

~ History, Decorative Arts, Buildings

COLONEL UNTHANK'S NORWICH

Monthly Archives: October 2021

Cecil Upcher: soldier and architect

15 Friday Oct 2021

Posted by reggie unthank in Norwich architect, Norwich buildings, Norwich history, River Wensum history

≈ 9 Comments

Tags

Cecil Upcher architect, Norwich architecture, Norwich buildings, Pull's Ferry

Norwich was slow to find its way into the industrial world. Before the slum clearances, the city still had a timber frame: largely Tudor in appearance with Georgian contributions. Around 1900 the architect Edward Boardman introduced a glimpse of modernity with factories and offices built around steel frames with concrete floors, while George Skipper’s more exuberant projects added sparkle. The contributions of these two Norwich titans survived well, helping to define the city’s present-day character, but much of the fine texture from a century ago was built up by numerous smaller practitioners like Cecil Upcher.

Upcher was born in 1884 in Barnham Broom, Norfolk, where his father, the Reverend Arthur Charles Wodehouse Upcher B.A., was the rector.

Cecil Upcher’s father was rector of Barnham Broom or ‘Ryskys’ (which refers to the profusion of rushes on the riverbank [1]). The name ‘Wodehouse’ was introduced into the family by Cecil’s grandmother. Photo: Barbara Worland.

White’s Directory described Reverend Upcher’s home as ‘a spacious residence with pleasant grounds near the church’ [2]. The 1911 census records that the Upchers lived in the rectory with a cook, a parlour maid, a house maid, a kitchen maid and a nurse. They lived well, in a manner appropriate to the descendants of Abbot Upcher, the man who commissioned the Reptons to design Sheringham Hall and Park.

Abbot Upcher (1784-1819) by George Harlow ©National Trust

Having mentioned Abbot (his given name, not title) Upcher it would be wrong to cast him aside so soon for in some quarters he is the better known Upcher. The name Upcher may be a corruption of Upshire in Essex yet census returns find it most frequently – although still scantly – in Norfolk [3]. In 1812, Abbot and Charlotte Upcher bought their estate near Upper Sheringham on the north-east Norfolk coast. They engaged John Adey Repton as architect and Repton’s father Humphry to reconfigure the landscape.

Sheringham Park and Hall from Humphry Repton’s Red Book © National Trust

Humphry Repton (b1752), the foremost landscape designer of the late Georgian period, died in March 1818, seven years after being badly injured in a carriage accident. In less than a year Abbot Upcher, would also die, aged 35, never to live in the hall he had commissioned.

Abbot’s great grandson Cecil therefore came from Norfolk stock and it was as a Second Lieutenant in the 9th Battalion of the Norfolk Regiment that he served in the Great War.

Second Lieutenant Cecil Upcher. Photo © Royal Norfolk Regimental Museum

Writing to his fiancée, Hilda Ward, he describes the conscripts as “a top hole lot of men all true Norfolk men” [4]. In his letters Upcher describes several of his billets; some he sketched.

© Royal Norfolk Regimental Museum

Since 1906, Upcher had been in practice in Norwich as an architect, specialising in church restoration. His professional training emerges in the sketch below in which he measured the accommodation provided by a dugout: beneath a ceiling four feet high were two beds, six feet long and two feet wide, separated by an 18 inch gap. His temporary refuges were drawn with precision but revealed nothing about the awfulness on the other side of the tin roof.

© Royal Norfolk Regimental Museum

Upcher’s letters convey the sense of the ironic, understated tone of the officer class – especially when wounded.

‘Monday September 27th 10am [1915]. In the train. Here I am on my way to England I believe. I got a bullet through the fleshy part of my left thigh. No damage and as fit as a fiddle. Feeling a bit of a humbug to be leaving it all, but walking is rather a job at present. We had to take a Bosch position at 7am yesterday Sunday morning and I got bowled over with a lot of others I fear [4].’

The voice will be familiar to readers of PG Wodehouse (and the name, Wodehouse, introduced into the family line by Upcher’s grandmother is inescapable here). When asked if he had taken part in the First World War, Bertie Wooster’s manservant Jeeves replied, ‘I dabbled in it to a certain extent, m’lord.’ (Ring for Jeeves, 1953).

By mid-1916 Upcher was suffering from deep depression and was invalided out with shell shock [5]. When he married Hilda the same year we see him holding a cane that seems too large for a swagger stick, suggesting he was still carrying an injury. Nevertheless, he returned to active service until the end of the war.

Cecil Upcher and Hilda Ward on their wedding day, Epsom, October 1916. © Royal Norfolk Regimental Museum

Upcher had been educated at Haileybury College, Herts before training at the Liverpool School of Architecture. Before the war, he was in partnership with Arthur John Lacey at number 6 Upper King Street Norwich. They specialised in church renovation and one of their last projects before the outbreak of war was the restoration of the ruinous St Martin, Overstrand.

St Martin Overstrand restored by Lacey and Upcher 1914. Photo: Wikimedia Commons by Stavros1

After the war, in the church in Upper Sheringham that housed the Upcher mausoleum, Cecil Upcher acknowledged men of the village killed in the war, by designing the oak pulpit and the foliate reredos above the altar.

And as a memorial to the men of the Norfolk Regiment who died in the Great War, Upcher designed a crescent of 12 alms houses in Norwich for disabled soldiers.

Memorial cottages on Mousehold Lane. Built 1920-1923.
In memory of the 6000 officers and men of the Norfolk Regiment who died in the Great War

The medallion of Britannia at the top of this memorial is signed by HA Miller who collaborated with Upcher on a memorial in the cathedral [6]. Herbert Miller (1880-1952), who trained at the Norwich School of Art, seems to have specialised in memorial plaques with portrait roundels, including: Amelia Opie on Opie House in Castle Meadow; John Sell Cotman on Cotman House in St Martin-at-Palace Plain; George Borrow outside George Borrow House in Willow Lane; and the Baptist preacher Joseph Kinghorn on a house in Pottergate near the Grapes Hill underpass [7].

After the Second World War Upcher was to design, for an adjacent plot, a range of six cottages for the wounded, funded by the public via The Home Guard. Distinguished by their Dutch gables, these cottages seem to belong to an earlier age; they appear less generous than the two-storey accommodation provided by the Great War cottages but were designed for the disabled as single-storey bungalows in order to avoid difficulties with stairs.

In July 1951, the Lord Lieutenant, Colonel Sir Edmund Bacon, dedicated the six new Memorial Cottages to the memory of the 2025 officers and men of the Royal Norfolk Regiment who died in WW2. Photo: EDP/Archant

Documents in the Norfolk Record Office confirm that Upcher’s practice was involved in all aspects of restoration in churches around Norfolk. They were not, however, restricted to ecclesiastical work; for example, Number 24 Princes Street is a Tudor building restored in 1932 by Upcher. Stripping the plaster from the front revealed the herringbone brick infill we see today. According to George Plunkett, the wooden lintel above the door came from a house in Fyebridge Street, once home to Edmund Wood who was Sheriff in 1536 and Mayor in 1548 [8].

Numbers 24 and 26 Princes Street, both restored by Upcher, in 1932 and 1956 respectively.

The repurposed spandrels of No 24’s door contain the merchants’ mark of the Worshipful Company of Grocers (top right, below). And around 400 years later, Cecil Upcher and builder Robert Carter left their names carved on the door jambs of the house in Princes Street.

The mark of the Mercers’ Company is also suggested to be represented somewhere [8] but the shield at top left contains a tangle of initials and not the maiden’s head that was, from 1530, the mercers’ mark, a fine example of which can be seen in nearby Elm Hill.

The Mercers’ Maiden, mark of the Mercers’ Company, on a beam above the alleyway by the side of the Strangers’ Club on Elm Hill. Post-1540.

Cley Windmill in North Norfolk also received Upcher’s attention.

Cley Windmill, converted to a holiday home for Mrs Wilson in 1921. Wikimedia CC BY 3.0 Stavros 1

In the last years of the nineteenth century, when the city was expanding beyond the city walls, the Trafford estate in the parish of Lakenham was developed on land owned by Edward Southwell Trafford. In 1919 his son, WJ Trafford, extended the estate around Eleanor and Trafford Roads and in the early 1930s Upcher designed a church for the new community. As one of the few churches built in Norwich between the wars St Albans was very much in keeping with the surrounding detached villas – comfortable yet somehow ’modern’.

St Albans on Grove Walk and Eleanor Road (1932-1938), taken in 1938 © georgeplunkett.co.uk

Pevsner and Wilson [9] called the style, ‘vaguely E.E.’, although the church’s rounded arches are clearly at odds with the lancets of Early English. By adopting a ’free’ Norman style, before the incursions of the architectural Goths, Upcher may have been differentiating his new church from the work of the Gothic revivalists of the previous generation. See, for example, the recent post on the campaign of Nonconformist church-building by Norwich architect AF Scott before the Great War [10]. Scott, incidentally, was still alive when St Albans was being built.

What the building is is vernacular. No imported stone here, its craftsmanship expressed in local materials drawn from Norfolk soil: unknapped flints with red-brick dressings. Pevsner and Wilson [8] described St Albans as being, ‘In the Maufe succession,’ suggesting a link with Sir Edward Brantwood Maufe (né Muff) whose first major commission was Kelling Hall in north Norfolk.

Kelling Hall 1913. Photo Wikipedia. Stavros1

Following Norfolk’s two other butterfly houses – Happisburgh Manor in 1900 (by Detmar Blow) and Voewood in 1903 (by ES Prior) – Kelling Hall was built in 1913 for the co-owner of the Shell Oil Company, Sir Henry Deterding. Like St Albans, Kelling Hall is clad in local flint pebbles and, in making the connection with St Albans, Pevsner and Wilson are placing Upcher’s church in the Arts & Crafts tradition.

Inside St Albans, the reinforced concrete ceiling in the chancel is a thing of beauty, predating the raw concrete of Brutalism by some 20 years – perhaps less a display of modernist leanings than an expression of the ‘truth to materials’ propagated by Pugin and Morris.

The woodwork in the chancel is reminiscent of the carving at Upper Sheringham.

At the east end of the chancel is a large painting of an epicene Christ in Majesty, floating over the view of Norwich from Mousehold Heath. It was painted in 1955 by Jeffery Camp RA in response to a competition by the Eastern Daily Press to provide a work of art above the altar.

Upcher also designed the vicarage next door.

Cecil Upcher is perhaps best known for his restoration of one of the city’s most photographed landmarks: Pulls Ferry on the eastern boundary of Cathedral Close. Norwich Cathedral is faced with Caen limestone, each piece of which was shipped across the Channel. The stone was transferred to low barges behind what was to become Old Barge Yard on King Street, allowing cargo to be delivered up the narrow canal connecting the Wensum with the stonemasons’ yard inside the cathedral precinct. In the fifteenth century a flat-arched Water Gate was built over the canal and the waterway itself was filled in ca.1780 [11].

PullsFerry3.jpg
The Water Gate, now known as Pull’s Ferry. The adjoining Ferry House (left in photo) was built in 1647 [8].

The crossing from the opposite bank of the Wensum was known for most of its life as Sandling’s Ferry [11]. This watercolour by Robert Ladbrooke, co-founder of the Norwich Society of Artists, shows us what the ferry looked like at the very beginning of the nineteenth century.

Sandling’s Ferry ca 1804-5 by Robert Ladbrooke, co-founder of the Norwich Society of Artists. Courtesy of Norfolk Museums Collections NWHCM: 2005.596.2

Sandling was superseded by John Pull who operated a pub here (Pull’s Ferry Inn or Ferry House) from 1796 until his bankruptcy in 1841 [12]. Pull’s Ferry operated until 1943 although it was already in ruin when Cecil Upcher drew the watergate in 1928.

Pull’s Ferry by Cecil Upcher, August 1928. Norfolk Record Office MC2060/1/8/1.

The Norfolk Record Office holds a small collection of photographs, possibly taken by Upcher himself. Wisely, they are sealed in plastic covers (I mention this to excuse the reflections on some of the following photographs). Upcher restored the house and watergate 1948-9.

NRO MC2060/1/6/2. Undated but assumed to be 1948, before work started,
The project was carried out by Robert Carter’s firm who had worked before with Upcher. NRO MC 2060 1/13/1
The Water Gate, before and after. NRO 2060/1/15/2 and 1/16/1
The watergate became the headquarters of Norwich Girl Guides Association in 1949. The renovation was funded by a bequest and with money raised by the Guides. This appears to be the opening ceremony. NRO 2060/1/19/2

The restored Ferry House became offices for Upcher’s architectural practice but plans show that much of the space was dedicated to a two-storey flat – the only evidence of business being the small typist’s room on the ground floor and the office upstairs. The largest upstairs room, labelled ‘J.F.W.’, was allocated to Upcher’s nephew, James Fletcher-Watson. The largest room on the ground floor was C.U’s.

NRO MC 2060/1/44/2

The photograph below, labelled ‘C Upcher’s room and armchair’, underlines how much space was dedicated to living accommodation.

NRO MC 2060 13/24/1
Cecil Upcher (centre) and colleagues at the Ferry House ca 1949. Photo: NRO MC2060/1/42/1

Standing on the left of the photograph is James Fletcher-Watson (1913-2004), with whom Upcher shared the practice. Trained as an architect under Edwin Lutyens, Fletcher-Watson is better known as one of the finest watercolourists of his generation.

Junk Shop, Cow Hill, Norwich by James Fletcher-Watson. Courtesy of Mandell’s Gallery, Norwich

Cecil Upcher died age 88 and is buried in All Saints Upper Sheringham.

©2021 Reggie Unthank

Sources

  1. https://www.hiddenea.com/Survey%20A%20to%20B.htm
  2. https://www.genuki.org.uk/big/eng/NFK/Barnham_Broom/White1883
  3. https://your-family-history.com/surname/u/upcher/?year=1881#map
  4. Cecil Upcher letters Aug 1915 – Oct 1916. Royal Norfolk Regimental Museum.
  5. https://norfolkinworldwar1.wordpress.com/2015/09/
  6. Peter Bardwell’s Flickr page on Cecil Upcher: https://www.flickr.com/photos/132932913@N02/albums/72157682762647195
  7. Richard and Sarah Cocke (2013). Public Sculpture of Norfolk and Suffolk. Pub: Liverpool University Press.
  8. http://www.georgeplunkett.co.uk/Norwich/pri.htm#Prins
  9. Nikolaus Pevsner and Bill Wilson (2002). The Buildings of England. Norfolk I.Pub: Yale University Press.
  10. https://colonelunthanksnorwich.com/2021/05/15/af-scott-architectconservative-or-pioneer/
  11. Frank Meeres (2011). The Story of Norwich. Pub: Phillimore and Co Ltd, Andover.
  12. https://norfolkpubs.co.uk/norwich/pnorwich/ncppfi.htm

Thanks

I am grateful to Kate Thaxton, Curator, Royal Norfolk Regimental Museum for background on Upcher; to John Snape and Barbara Worland for Barnham Broom history; and to Gordon Blacklock at the Norfolk Record Office for guiding me through the Upcher archive.

Share this:

  • Facebook
  • Twitter
  • Pinterest
  • Email
  • Print

Like this:

Like Loading...

Enter your email address to follow this blog and receive notifications of new posts by email.

Recent Posts

  • The third Unthank book (‘Back Stories) now published
  • The new Colonel Unthank’s Norwich book #3
  • Female Suffrage in Norwich
  • Norfolk Rood Screens
  • Norwich Guides: Ancient and Modern

Recent Comments

Paul Cooper on Fancy bricks
Victoria on The third Unthank book (…
reggie unthank on The third Unthank book (…
Jayne Ivimey on The third Unthank book (…
Carolyn on A postscript on Eaton Nur…

Archives

  • November 2022
  • October 2022
  • July 2022
  • March 2022
  • February 2022
  • January 2022
  • December 2021
  • November 2021
  • October 2021
  • September 2021
  • August 2021
  • July 2021
  • June 2021
  • May 2021
  • April 2021
  • March 2021
  • February 2021
  • January 2021
  • December 2020
  • November 2020
  • October 2020
  • September 2020
  • August 2020
  • July 2020
  • June 2020
  • May 2020
  • April 2020
  • March 2020
  • February 2020
  • January 2020
  • December 2019
  • November 2019
  • October 2019
  • September 2019
  • August 2019
  • July 2019
  • June 2019
  • May 2019
  • April 2019
  • March 2019
  • February 2019
  • January 2019
  • December 2018
  • November 2018
  • October 2018
  • September 2018
  • August 2018
  • July 2018
  • June 2018
  • May 2018
  • April 2018
  • March 2018
  • February 2018
  • January 2018
  • December 2017
  • November 2017
  • October 2017
  • September 2017
  • August 2017
  • July 2017
  • June 2017
  • May 2017
  • April 2017
  • March 2017
  • February 2017
  • January 2017
  • December 2016
  • November 2016
  • October 2016
  • September 2016
  • August 2016
  • July 2016
  • June 2016
  • May 2016
  • April 2016
  • March 2016
  • February 2016
  • January 2016
  • December 2015

Categories

  • Aesthetic Movement
  • Amelia Opie
  • Art
  • Art Nouveau
  • Arts and Crafts
  • Decorative Arts
  • James Minns carver
  • Linnean Society
  • Norwich architect
  • Norwich Banking
  • Norwich buildings
  • Norwich Department Stores
  • Norwich history
  • Norwich libraries
  • Norwich maps
  • Norwich parks
  • Norwich School of Painters
  • Norwich streets
  • Paston Letters
  • River Wensum history
  • Shutter Telegraph
  • Sir Thomas Browne
  • Stained Glass
  • The Royal Society
  • Uncategorized

Meta

  • Register
  • Log in
  • Entries feed
  • Comments feed
  • WordPress.com

Recent Posts

  • The third Unthank book (‘Back Stories) now published
  • The new Colonel Unthank’s Norwich book #3
  • Female Suffrage in Norwich
  • Norfolk Rood Screens
  • Norwich Guides: Ancient and Modern

Recent Comments

Paul Cooper on Fancy bricks
Victoria on The third Unthank book (…
reggie unthank on The third Unthank book (…
Jayne Ivimey on The third Unthank book (…
Carolyn on A postscript on Eaton Nur…

Archives

  • November 2022
  • October 2022
  • July 2022
  • March 2022
  • February 2022
  • January 2022
  • December 2021
  • November 2021
  • October 2021
  • September 2021
  • August 2021
  • July 2021
  • June 2021
  • May 2021
  • April 2021
  • March 2021
  • February 2021
  • January 2021
  • December 2020
  • November 2020
  • October 2020
  • September 2020
  • August 2020
  • July 2020
  • June 2020
  • May 2020
  • April 2020
  • March 2020
  • February 2020
  • January 2020
  • December 2019
  • November 2019
  • October 2019
  • September 2019
  • August 2019
  • July 2019
  • June 2019
  • May 2019
  • April 2019
  • March 2019
  • February 2019
  • January 2019
  • December 2018
  • November 2018
  • October 2018
  • September 2018
  • August 2018
  • July 2018
  • June 2018
  • May 2018
  • April 2018
  • March 2018
  • February 2018
  • January 2018
  • December 2017
  • November 2017
  • October 2017
  • September 2017
  • August 2017
  • July 2017
  • June 2017
  • May 2017
  • April 2017
  • March 2017
  • February 2017
  • January 2017
  • December 2016
  • November 2016
  • October 2016
  • September 2016
  • August 2016
  • July 2016
  • June 2016
  • May 2016
  • April 2016
  • March 2016
  • February 2016
  • January 2016
  • December 2015

Categories

  • Aesthetic Movement
  • Amelia Opie
  • Art
  • Art Nouveau
  • Arts and Crafts
  • Decorative Arts
  • James Minns carver
  • Linnean Society
  • Norwich architect
  • Norwich Banking
  • Norwich buildings
  • Norwich Department Stores
  • Norwich history
  • Norwich libraries
  • Norwich maps
  • Norwich parks
  • Norwich School of Painters
  • Norwich streets
  • Paston Letters
  • River Wensum history
  • Shutter Telegraph
  • Sir Thomas Browne
  • Stained Glass
  • The Royal Society
  • Uncategorized

Meta

  • Register
  • Log in
  • Entries feed
  • Comments feed
  • WordPress.com

Recent Posts

  • The third Unthank book (‘Back Stories) now published
  • The new Colonel Unthank’s Norwich book #3
  • Female Suffrage in Norwich
  • Norfolk Rood Screens
  • Norwich Guides: Ancient and Modern

Recent Comments

Paul Cooper on Fancy bricks
Victoria on The third Unthank book (…
reggie unthank on The third Unthank book (…
Jayne Ivimey on The third Unthank book (…
Carolyn on A postscript on Eaton Nur…

Archives

  • November 2022
  • October 2022
  • July 2022
  • March 2022
  • February 2022
  • January 2022
  • December 2021
  • November 2021
  • October 2021
  • September 2021
  • August 2021
  • July 2021
  • June 2021
  • May 2021
  • April 2021
  • March 2021
  • February 2021
  • January 2021
  • December 2020
  • November 2020
  • October 2020
  • September 2020
  • August 2020
  • July 2020
  • June 2020
  • May 2020
  • April 2020
  • March 2020
  • February 2020
  • January 2020
  • December 2019
  • November 2019
  • October 2019
  • September 2019
  • August 2019
  • July 2019
  • June 2019
  • May 2019
  • April 2019
  • March 2019
  • February 2019
  • January 2019
  • December 2018
  • November 2018
  • October 2018
  • September 2018
  • August 2018
  • July 2018
  • June 2018
  • May 2018
  • April 2018
  • March 2018
  • February 2018
  • January 2018
  • December 2017
  • November 2017
  • October 2017
  • September 2017
  • August 2017
  • July 2017
  • June 2017
  • May 2017
  • April 2017
  • March 2017
  • February 2017
  • January 2017
  • December 2016
  • November 2016
  • October 2016
  • September 2016
  • August 2016
  • July 2016
  • June 2016
  • May 2016
  • April 2016
  • March 2016
  • February 2016
  • January 2016
  • December 2015

Categories

  • Aesthetic Movement
  • Amelia Opie
  • Art
  • Art Nouveau
  • Arts and Crafts
  • Decorative Arts
  • James Minns carver
  • Linnean Society
  • Norwich architect
  • Norwich Banking
  • Norwich buildings
  • Norwich Department Stores
  • Norwich history
  • Norwich libraries
  • Norwich maps
  • Norwich parks
  • Norwich School of Painters
  • Norwich streets
  • Paston Letters
  • River Wensum history
  • Shutter Telegraph
  • Sir Thomas Browne
  • Stained Glass
  • The Royal Society
  • Uncategorized

Meta

  • Register
  • Log in
  • Entries feed
  • Comments feed
  • WordPress.com

Enter your email address to follow this blog and receive notifications of new posts by email. It's free, no junk.

Join 4,436 other subscribers

Recent Posts

  • The third Unthank book (‘Back Stories) now published
  • The new Colonel Unthank’s Norwich book #3
  • Female Suffrage in Norwich
  • Norfolk Rood Screens
  • Norwich Guides: Ancient and Modern
  • Chapel in the Fields
  • Noël Spencer’s Norwich
  • Georgian Norwich
  • Cecil Upcher: soldier and architect
  • Sculptured Monuments #2
  • Sculptured Monuments
  • Madness
  • New Book: Colonel Unthank’s Norwich
  • AF Scott, Architect:conservative or pioneer?
  • Norwich Department Stores
  • Revolutionary Norwich
  • Parson Woodforde and the Learned Pig
  • A postscript on Eaton Nurseries
  • The Nursery Fields of Eaton
  • Vanishing Plains
  • Parson Woodforde goes to market
  • Norwich, City of the Plains
  • The Plains of Norwich
  • Twentieth Century Norwich Buildings
  • Thomas Browne’s World
  • The angel’s bonnet
  • After the Norwich School
  • A few of my favourite buildings
  • James Minns, carver
  • The Norwich Banking Circle
  • Behind Mrs Opie’s medallion
  • Norwich: shaped by fire
  • Street Names #2
  • Street names
  • The Norwich School of Painters
  • Going Dutch: The Norwich Strangers
  • The Captain’s Parks
  • Norfolk’s Napoleonic Telegraph
  • Catherine Maude Nichols
  • The Norfolk Botanical Network
  • City Hall Doors # 2
  • City Hall Doors # 1
  • Late Extra: The Norwich Pantheon
  • Pleasure Gardens
  • The absent Dukes of Norfolk
  • Nairn on Norwich
  • The Norwich Way of Death
  • Norwich: City of Trees
  • The Bridges of Norwich Part 2: Around the bend
  • The Bridges of Norwich 1: The blood red river
  • Norwich knowledge (libraries)
  • Street furniture: palimpsests
  • Putting Norwich on the map
  • Clocks
  • Faces
  • The Norwich coat of arms
  • New book: Colonel Unthank and the Golden Triangle
  • The Pastons in Norwich
  • Reggie through the underpass
  • Gildencroft and Psychogeography
  • Bullards’ Brewery
  • Post-medieval Norwich churches
  • The end of the Unthank mystery?
  • Barnard Bishop and Barnards
  • Public art, private meanings
  • Colonel Unthank rides again
  • Three Norwich Women
  • The flamboyant Mr Skipper
  • When Norwich was the centre of the world*
  • Arts & Crafts pubs in the C20th

Archives

  • November 2022
  • October 2022
  • July 2022
  • March 2022
  • February 2022
  • January 2022
  • December 2021
  • November 2021
  • October 2021
  • September 2021
  • August 2021
  • July 2021
  • June 2021
  • May 2021
  • April 2021
  • March 2021
  • February 2021
  • January 2021
  • December 2020
  • November 2020
  • October 2020
  • September 2020
  • August 2020
  • July 2020
  • June 2020
  • May 2020
  • April 2020
  • March 2020
  • February 2020
  • January 2020
  • December 2019
  • November 2019
  • October 2019
  • September 2019
  • August 2019
  • July 2019
  • June 2019
  • May 2019
  • April 2019
  • March 2019
  • February 2019
  • January 2019
  • December 2018
  • November 2018
  • October 2018
  • September 2018
  • August 2018
  • July 2018
  • June 2018
  • May 2018
  • April 2018
  • March 2018
  • February 2018
  • January 2018
  • December 2017
  • November 2017
  • October 2017
  • September 2017
  • August 2017
  • July 2017
  • June 2017
  • May 2017
  • April 2017
  • March 2017
  • February 2017
  • January 2017
  • December 2016
  • November 2016
  • October 2016
  • September 2016
  • August 2016
  • July 2016
  • June 2016
  • May 2016
  • April 2016
  • March 2016
  • February 2016
  • January 2016
  • December 2015

Follow me on Twitter

My Tweets

previous posts

  • About
  • Colonel Unthank’s Norwich #2
  • Contact
  • Latest Colonel Unthank’s Norwich Book #3
  • Posts
  • Unthank Book #1

Blog at WordPress.com.

  • Follow Following
    • COLONEL UNTHANK'S NORWICH
    • Join 667 other followers
    • Already have a WordPress.com account? Log in now.
    • COLONEL UNTHANK'S NORWICH
    • Customize
    • Follow Following
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar
 

Loading Comments...
 

    %d bloggers like this: